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Posts tagged: theatre

I reviewed The Amoralists’ latest — and possibly best — show, The Bad and the Better, which runs through July 21.
(Photo by Monica Simoes.) 

I reviewed The Amoralists’ latest — and possibly best — show, The Bad and the Better, which runs through July 21.

(Photo by Monica Simoes.) 

It’s the final day to catch Target Margin Theater’s terrific new adaptation of Anton Chekhov’s Uncle Vanya at HERE (through May 19).
(Photo by Sue Kessler.)

It’s the final day to catch Target Margin Theater’s terrific new adaptation of Anton Chekhov’s Uncle Vanya at HERE (through May 19).

(Photo by Sue Kessler.)

I got to review Performance Lab 115’s terrific Ring Cycle (Parts 1-4), which is playing at the Incubator Arts Project through April 29. (I had reviewed parts 1+2 last season at the Bushwick Starr.)
(Photo by Hunter Canning)

I got to review Performance Lab 115’s terrific Ring Cycle (Parts 1-4), which is playing at the Incubator Arts Project through April 29. (I had reviewed parts 1+2 last season at the Bushwick Starr.)

(Photo by Hunter Canning)

I was completely smitten with Marius von Mayenburg’s The Ugly One at Soho Rep (through February 26).
(Photo by Julieta Cervantes)

I was completely smitten with Marius von Mayenburg’s The Ugly One at Soho Rep (through February 26).

(Photo by Julieta Cervantes)

I recently reviewed Erika Sheffer’s Russian Transport, having its premiere with the New Group (through March 24). I didn’t find it all that transporting.
(Photo by Monique Carboni)

I recently reviewed Erika Sheffer’s Russian Transport, having its premiere with the New Group (through March 24). I didn’t find it all that transporting.

(Photo by Monique Carboni)

I recently had the pleasure of reviewing Jay Scheib’s multimedia performance mind-fuck World of Wires, which ran at the Kitchen January 5-21.
(Photo by Paula Court)

I recently had the pleasure of reviewing Jay Scheib’s multimedia performance mind-fuck World of Wires, which ran at the Kitchen January 5-21.

(Photo by Paula Court)

I recently reviewed Outside People (through January 29), Zayd Dohrn’s new play at the Vineyard Theatre in co-production with Naked Angels.
(Photo by Carol Rosegg)

I recently reviewed Outside People (through January 29), Zayd Dohrn’s new play at the Vineyard Theatre in co-production with Naked Angels.

(Photo by Carol Rosegg)

I recently had the pleasure of reviewing Company XIV’s stunning, neo-baroque, postmodern dance-theater adaptation of Snow White (through January 15).
(Photo by Steven Schreiber)

I recently had the pleasure of reviewing Company XIV’s stunning, neo-baroque, postmodern dance-theater adaptation of Snow White (through January 15).

(Photo by Steven Schreiber)

Another amazing Shakespeare production in the Public Theater’s Public Lab series, Titus Andronicus (through December 18). Jay O. Sanders (at left), as the titular Roman general, is phenomenal.
(Photo by Joan Marcus)

Another amazing Shakespeare production in the Public Theater’s Public Lab series, Titus Andronicus (through December 18). Jay O. Sanders (at left), as the titular Roman general, is phenomenal.

(Photo by Joan Marcus)

I recently reviewed Jordan Harrison’s Maple and Vine, having its premiere at Playwrights Horizons (through December 23). The first act is mostly not-great exposition, but after intermission it’s very interesting, and the set designs are endlessly entertaining.
(Photo by Joan Marcus)

I recently reviewed Jordan Harrison’s Maple and Vine, having its premiere at Playwrights Horizons (through December 23). The first act is mostly not-great exposition, but after intermission it’s very interesting, and the set designs are endlessly entertaining.

(Photo by Joan Marcus)