I found the candy attendants to be by far the most affecting components of Kara Walker’s Creative Time commission at the Domino Sugar Refinery, A Subtlety, Or the Marvelous Sugar Baby.
I interviewed Kara Walker about her massive Creative Time commission at the Domino Sugar Refinery, A Subtlety, Or the Marvelous Sugar Baby.
I recently reviewed Katrín Sigurdardóttir’s sculptural installation “Foundation” (2013) currently on view at SculptureCenter (through July 28).
Assume Vivid Astro Focus's “ADDERALL VALIUM ATIVAN FOCALIN (CANTILEVERING ME)” (2014), from their recent show at Suzanne Geiss Company, which I reviewed for the artnet News gallery beat.
One of Tara Donovan's enormous sculptural installations from her current show at Pace Gallery (through June 28), which I reviewed for artnet News recently.
One of Heidi Bucher's fantastic canvas casts of rooms from the Swiss Institute's recent show of her work.
Sheila Hicks's wonderful “Pillar of Inquiry/Supple Column” (2013-14) at the 2014 Whitney Biennial (through May 25).
A view of Jane South's recent installation at Spencer Brownstone Gallery, “Raked” (2014), which I reviewed in a recent gallery round-up for artnet News.
Joel Otterson's delightful installation from the 2014 Whitney Biennial (through May 25).
Installation view of Sarah Lucas's hilarious recent exhibition at Gladstone Gallery, NUB NOB.
Observer theme by Zack Sultan