Works by (left to right) Hai-Hsin Huang, Kelli Thompson and Jessica Weiss ready to hang at Field Projects for the exhibition I’m curating, Drunk Tank Pink. The opening is December 12 (6-8pm) and the show continues through January 25.
An enormous pigeon mural made of seashells from Duke Riley's new exhibition, See You At The Finish Line (through January 11, 2014), at Magnan Metz.
Stacy Scibelli's “Hong Kong” (2013) from Present Company's new show High Fiber (through December 28).
Not a medieval Air Jordan shoe; it’s a 14th century leather and iron reliquary case from either France or Switzerland — and it’s on view at the Cloisters.
Sarah Bereza's hilarious “Anumal” (2013) from the Typhoon Haiyan Relief Benefit at The Lodge (through December 10) — the online auction continues through December 13.
Sarah Hardesty's luminous bas-relief and painting hybrid “Ark” (2013) from the Typhoon Haiyan Relief Benefit (through December 10) at The Lodge — the online auction continues through December 13.
Simon Denny's sculptural installation “Analogue Broadcasting Hardware Compression” (2013) from the 2013 Venice Biennale, which I recently reviewed in one sentence.
Sara VanDerBeek's portrait painting “Trenton Doyle Hancock” (2012) at Blue Star Contemporary during the 2013 Texas Biennial, which I attended and reviewed.
Rembrandt’s lovely “Portrait of a Young Woman" (1633) at the Museum of Fine Arts Houston.
A hilarious tabletop sculpture by Isa Genzken at the Linda Pace Foundation.